Last week, I wrote about the difficulty of explaining theatrical lighting design to someone who has no background in theatre. Long story short, it’s hard to the point of being almost pointless. But, even as I was writing that post, I wanted to try. Maybe it was just a perverse desire to prove myself wrong. Maybe it was the desire to have my work understood. Maybe I just wanted to see if anyone would be interested in listening to me blather on about my work.
Probably, though, it’s because I can’t help but blather on about lighting design. When I go to see plays, I always try to get there early, not just so I won’t be holding up the show, but so that I can crane my head at the ceiling for 15 minutes and see what’s hung there. My fiance should frankly be canonized for all the times ze’s listened to me go on and on about this stuff.
As I said before, this is the type of thing that needs five words or five thousand, and seeing as I’m already a few hundred in, it looks like it’s going to be five thousand. In the interest of making this as readable as possible, I’m going to try to break it up into multiple posts, each post depicting a step in the process that takes me from when I first read the script, to when the show opens and I get to sleep again. And, so that I’m not simply speaking in abstract terms, I’ll be using a production of An Enemy of the People I recently worked on as an example.
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