So, last week, I started my epic depiction of a lighting designer’s process with a basic introduction of the goals that a good lighting design should satisfy. Now we’re going to start in with how I proceed from Point A – the script – and end up at Point B – the finished lighting design.
And I would like to stress that this is how *I* proceed…usually. Every production is different and every designer is different. Other designers may go about this process differently, sometimes very differently. I go about it differently on some shows. This is not intended as an ironclad list of steps that I believe must be followed, but as an introduction to the craft intended for those who have little or no idea of how it’s done.
As I said in the introduction, I’ll be using a production of An Enemy of the People (by Henrik Ibsen, as adapted by Arthur Miller) that I recently worked on as an example. Reading the play isn’t necessary; I’ll be filling in necessary details as I go. So let’s go.
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